
InoPtah
One in Many
Rae Gouirand
two cardiganed friends at a picnic table, a bag of frozen soups
and gluten-free loaves delivered, a tray of tea
and milk, a cat in the grass, a garden untended down the side
of the house, a child leaving for school,
neighbors jogging past with dogs, people walking quickly
along the river beyond the rooftops
across from us, as though walking the ridges of so
many houses, as though walking through
the impossibilities of this world on their way to the next
while we sit talking oncology consults,
friends’ cases, how people are who one of us has seen
when the other hasn’t for months or
years. Everyone used to be so much younger and different
in their thinking. Everyone wanted to
say things plainly or memorably, and eventually
to publish. Now most people we know
would settle for slightly less pain for portions of a day,
for knowing that if we were taken, the hearts
of those young men at school would beat again.
I almost prefer thinking those figures are
walking the rooves, on their way to way past this plane
we’ve landed, these weighty hand-thrown
mugs in our human hands, as an almost undiscernable
September mist suggests something,
coming sideways beneath the treeshade, coming
to us now as everything comes now out
of season and out of rhythm, at the only time we know,
right to our faces, which tell us, which tell
one another, all the truths there are left to pass, to publish.
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Rae Gouirand is the author of nine titles of poetry and nonfiction, including Glass is Glass Water is Water (Spork Press, 2018), The History of Art (The Atlas Review, 2019), The Velvet Book (Cornerstone Press, 2024), a 2025 Lambda Literary Award finalist, and Whatever Dimness or Brightness (forthcoming 2026). She leads several longrunning independent workshops in northern California and online, including the cross-genre workshop Scribe Lab, and serves as a Continuing Lecturer in the Department of English at UC-Davis. / raegouirand.com