
Kathleen Frank
Anti-Body
Ruthie Chen
After “Winterberries”
When was the last time you felt well? asks the
doctor. What else have I missed? asks my body,
butterflied. It’s better to hobble than crawl
down the hallway, I guess. Suppose my
shoulders were shelves, laden and gleaming
with the fruits of a hoarder’s mind: my
grandmother’s. Suppose my spine were a
stairwell leading to a locked door. I stayed in
that room for years before I realized I was the
door. See how the bloodwork stays within
normal limits? See how the antibodies err on
the side of positivity? I can’t hear my knuckles
swelling but I can taste the tumbleweeds on my
tongue. In March, a surfeit of low-hanging
dreams. In one, I bomb myself into the East
River, my shins butterfly-kicking like a beating
heart. Skeins of sewage sloshing against the
thunderous bellies of leaden barges. My body
screaming stop at the city’s crisp, unforgiving
edge. My body a shuttlecock lobbed so high
above the skyline that church spires become
pigeon spikes, the river a shimmer on the backs
of my eyelids. Jesus, murmurs the woman paid
to release me from my traps. I try to remember
to unclench. In June, I learn that tenderness is
not normal. I resist the urge to disown entire
swaths of my life. August. Ghosts in my blood,
conceding. September. Wait, says my body. Get
up, says my anti-body. Suppose every scab
became soft tissue instead of a scar stippling
my skin. Suppose I wrote a poem about more
than just what pains me; picked only the best
lines like the seeds I finger from the flesh of a
watermelon so ripe it turns to mulch upon
touch.
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Ruthie Chen (she/her) is a Taiwanese American writer and designer. She holds a BA in English from Johns Hopkins and an MBA from Yale. She lives in Brooklyn with her two cats.
Next Up: Elysian (2018) by Jason B. Crawford